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  3. Vol. 15 No. 3-4 (2020)

Vol. 15 No. 3-4 (2020)

Empirical Musicology Review Volume 15 Nos. 3-4 2020
DOI: https://doi.org/10.18061/emr.v15i3-4
Published: 2021-06-28

Editor's Note

  • Editor's Note

    Daniel M, Daniel Shanahan
    159
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Articles

  • Social Mechanisms of Musical Stylistic Change: A Case Study from Early 20th-Century France

    Jane Harrison
    160-175
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  • Historical Trends in Expressive Timing Strategies: Chopin's Etude, Op. 25 no. 1

    Michael Rector
    176-201
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  • Auditory Streaming Complexity and Renaissance Mass Cycles

    Finn Upham, Julie Cumming
    202-222
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  • Isaac Newton's Microtonal Approach to Just Intonation

    Daniel Muzzulini
    223-248
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  • Empirical Musicology: An Interview with David Huron Part II

    Daniel Shanahan
    249-264
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Commentaries

  • Commentary on Harrison: "Social Mechanisms of Stylistic Change"

    Samantha Burgess
    265-267
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  • Consistent Pitch Height Forms: A commentary on Daniel Muzzulini's contribution Isaac Newton's Microtonal Approach to Just Intonation

    Thomas Noll
    268-272
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  • Reanalyzing Schotanus 2020: A reaction to Lee's commentary

    Yke Schotanus
    273-278
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About the Journal

Empirical Musicology Review (EMR) aims to provide an international forum promoting the understanding of music in all of its facets. In particular, EMR aims to facilitate communication and debate between scholars engaged in systematic and observation-based music scholarship. Debate is promoted through publication of commentaries on research articles.

Scope

EMR publishes original research articles, commentaries, editorials, book reviews, interviews, letters, and data sets. Suitable topics include music history, performance, theory, education, and composition -- with an emphasis on systematic methods, such as hypothesis-testing, modeling, and controlled observation. Submissions pertaining to social, political, cultural and economic phenomena are welcome. Theoretical and speculative articles are welcome provided they contribute to the forming of empirically testable hypotheses, models or theories, or they provide critiques of methodology. 

History

EMR was founded by David Huron and David Butler in 2004 and began publishing in January 2006. The editorial process for EMR pioneers a new "Public Peer Review" practice that is intended to encourage scholarly dialog and reward reviewers for timely and thoughtful engagement with submissions. Previous editors include David Butler, William Forde Thompson, Peter Keller, Nicola Dibben, Renee Timmers, and Daniel Shanahan. The current editors are Niels Chr. Hansen and Daniel Müllensiefen.

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Beginning with Volume 7, No 3-4 (2012), Empirical Musicology Review is published under a Creative Commons Attribution-NonCommercial license.

Empirical Musicology Review is published by The Ohio State University Libraries.

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ISSN: 1559-5749

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