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Archives

  • Empirical Musicology Review Volume 16 No. 1 2021

    Special Issue on Open Science in Musicology
    Vol. 16 No. 1 (2021)

  • Empirical Musicology Review Volume 15 Nos. 3-4 2020

    Vol. 15 No. 3-4 (2020)

  • Empirical Musicology Review Volume 15 Nos. 1-2 2020

    Vol. 15 No. 1-2 (2020)

  • Empirical Musicology Review Volume 14 Nos. 3-4 2019

    Vol. 14 No. 3-4 (2019)

  • Empirical Musicology Review Volume 14 Nos. 1-2 2019

    Vol. 14 No. 1-2 (2019)

  • Vol. 13 No. 3-4 (2018)

  • Vol. 13 No. 1-2 (2018)

  • Vol. 12 No. 3-4 (2017)

  • Vol. 12 No. 1-2 (2017)

  • Vol. 11 No. 3-4 (2016)

  • Special Issue on Corpus Studies: No.2
    Vol. 11 No. 2 (2016)

  • Special Issue on Corpus Studies: No.1
    Vol. 11 No. 1 (2016)

  • Special Issue: Musical Rhythm Across Cultures

    Special Issue: Musical Rhythm Across Cultures
    Vol. 10 No. 4 (2015)

  • Volume 10, no.3

    Vol. 10 No. 3 (2015)

    General issue
  • Special Issue on Music and Empathy, Guest Edited by Caroline Waddington

    Special Issue: Music and Empathy
    Vol. 10 No. 1-2 (2015)

  • Special Issue: Music and Embodied Cognition
    Vol. 9 No. 3-4 (2014)

  • Vol. 9 No. 2 (2014)

    General issue
  • Empirical Musicology Review
    Vol. 9 No. 1 (2014)

  • Empirical Musicology Review - Vol. 8, No. 3-4: Music and Shape: Perception and Theory

    Vol 8, Nos 3-4 (2013): Empirical Musicology Review

    Special Issue on Music and Shape: Perception and Theory
  • Empirical Musicology Review - Vol. 8, No. 2: Music and Shape: Motion Shapes

    Vol 8, No 2 (2013): Empirical Musicology Review

    Special Issue on Music and Shape: Motion Shapes
  • Empirical Musicology Review - Vol. 8, No. 1: Music and Shape: Pedagogy and Performance

    Vol 8, No 1 (2013): Empirical Musicology Review

    Special Issue on Music and Shape - Pedagogy and Performance
  • Empirical Musicology Review, Volume 7, Numbers 3-4, 2012

    Empirical Musicology Review
    Vol. 7 No. 3-4 (2012)

About the Journal

Empirical Musicology Review (EMR) aims to provide an international forum promoting the understanding of music in all of its facets. In particular, EMR aims to facilitate communication and debate between scholars engaged in systematic and observation-based music scholarship. Debate is promoted through publication of commentaries on research articles.

Scope

EMR publishes original research articles, commentaries, editorials, book reviews, interviews, letters, and data sets. Suitable topics include music history, performance, theory, education, and composition -- with an emphasis on systematic methods, such as hypothesis-testing, modeling, and controlled observation. Submissions pertaining to social, political, cultural and economic phenomena are welcome. Theoretical and speculative articles are welcome provided they contribute to the forming of empirically testable hypotheses, models or theories, or they provide critiques of methodology. 

History

EMR was founded by David Huron and David Butler in 2004 and began publishing in January 2006. The editorial process for EMR pioneers a new "Public Peer Review" practice that is intended to encourage scholarly dialog and reward reviewers for timely and thoughtful engagement with submissions. Previous editors include David Butler, William Forde Thompson, Peter Keller, Nicola Dibben, Renee Timmers, and Daniel Shanahan. The current editors are Niels Chr. Hansen and Daniel Müllensiefen.

Make a Submission

Make a Submission

Beginning with Volume 7, No 3-4 (2012), Empirical Musicology Review is published under a Creative Commons Attribution-NonCommercial license.

Empirical Musicology Review is published by The Ohio State University Libraries.

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ISSN: 1559-5749

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