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  3. Vol 8, No 2 (2013): Empirical Musicology Review

Vol 8, No 2 (2013): Empirical Musicology Review

Empirical Musicology Review - Vol. 8, No. 2: Music and Shape: Motion Shapes
Special Issue on Music and Shape: Motion Shapes
DOI: https://doi.org/10.18061/emr.v8i2
Published: 2013-12-23

Editor's Note

  • Introduction to Special Issue on Music and Shape: Motion Shapes

    Daniel Leech-Wilkinson, Mats B. K
    72
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Articles

  • Sonifying the Shape of Human Body Motion using Motiongrams

    Alexander Refsum Jensenius, Rolf Inge God
    73-83
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  • The Interpretive Shaping of Embodied Musical Structure in Piano Performance

    Bryony Buck, Jennifer MacRitchie, Nicholas J. Bailey
    92-119
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  • Quantifying Shapes: Mathematical Techniques for Analysing Visual Representations of Sound and Music

    Genevieve L. Noyce, Mats B. K, Peter Sollich
    128-154
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Commentaries

  • Aesthetic Challenges of Sonified Video Gestures

    Michael Filimowicz
    84-87
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  • Principles for Shape Sonification

    Thomas Hermann
    88-91
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  • The Interpretive Shaping of Music Performance Research

    John Rink
    120-123
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  • The Kinematics of Musical Expression in the Spatiotemporal Dimension

    Steven Livingstone
    124-127
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  • Review of Noyce, Küssner and Sollich: Quantifying Shapes

    Daniel M
    155-157
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  • A Commentary on Noyce, Küssner and Sollich: Quantifying Shapes

    Christian Hennig
    158-160
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About the Journal

Empirical Musicology Review (EMR) aims to provide an international forum promoting the understanding of music in all of its facets. In particular, EMR aims to facilitate communication and debate between scholars engaged in systematic and observation-based music scholarship. Debate is promoted through publication of commentaries on research articles.

Scope

EMR publishes original research articles, commentaries, editorials, book reviews, interviews, letters, and data sets. Suitable topics include music history, performance, theory, education, and composition -- with an emphasis on systematic methods, such as hypothesis-testing, modeling, and controlled observation. Submissions pertaining to social, political, cultural and economic phenomena are welcome. Theoretical and speculative articles are welcome provided they contribute to the forming of empirically testable hypotheses, models or theories, or they provide critiques of methodology. 

History

EMR was founded by David Huron and David Butler in 2004 and began publishing in January 2006. The editorial process for EMR pioneers a new "Public Peer Review" practice that is intended to encourage scholarly dialog and reward reviewers for timely and thoughtful engagement with submissions. Previous editors include David Butler, William Forde Thompson, Peter Keller, Nicola Dibben, Renee Timmers, and Daniel Shanahan. The current editors are Niels Chr. Hansen and Daniel Müllensiefen.

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Beginning with Volume 7, No 3-4 (2012), Empirical Musicology Review is published under a Creative Commons Attribution-NonCommercial license.

Empirical Musicology Review is published by The Ohio State University Libraries.

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ISSN: 1559-5749

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