Consistent Pitch Height Forms: A commentary on Daniel Muzzulini's contribution Isaac Newton's Microtonal Approach to Just Intonation

Thomas Noll

Abstract


This text revisits selected aspects of Muzzulini's article and reformulates them on the basis of a three-dimensional interval space E and its dual E*. The pitch height of just intonation is conceived as an element h of the dual space. From octave-fifth-third coordinates it becomes transformed into chromatic coordinates. The dual chromatic basis is spanned by the duals a*of a minor second a and the duals b* and cof two kinds of augmented primes b and c. Then for every natural number n a modified pitch height form hn is derived from h by augmenting its coordinates with the factor n, followed by rounding to nearest integers. Of particular interest are the octave-consitent forms hn  mapping the octave to the value n. The three forms hn for n = 612, 118, 53 (yielding smallest deviations from the respective values of n h) form the Muzzulini basis of E*. The respective transformation matrix T* between the coordinate representations of linear forms in the Muzzulini basis and the dual chromatic basis is unimodular and a Pisot matrix with the dominant eigen-co-vector very close to h. Certain selections of the linear forms hn are displayed in Muzzuli coordinates as ball-like point clouds within a suitable cuboid containing the origin. As an open problem remains the estimation of the musical relevance of  Newton's chromatic mode, and chromatic modes in general. As a possible direction of further investigation it is proposed to study the exo-mode of Newton's chromatic mode


Keywords


Linear interval space; Pitch height form; Diatonic modes; Chromatic modes; Exo-modes; Scale Degree Qualia

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DOI: http://dx.doi.org/10.18061/emr.v15i3-4.8243

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