Volume 19 • Issue 2 • 2024


Editor's Note

Editor’s Note

Niels Chr. Hansen and Daniel Müllensiefen

2025-03-03 Volume 19 • Issue 2 • 2024 • 76

Articles

Reexamining the Association between Aesthetic Sensitivity to Musical and Visual Complexity

Ronald Friedman, Sijia Song and Gregory Cox

2025-03-03 Volume 19 • Issue 2 • 2024 • 77-87

Texture and Sonata Form in Classical String Quartets: A Corpus Study

Jonathan De Souza, Calvin Dvorsky and Orko Oyon

2025-03-03 Volume 19 • Issue 2 • 2024 • 102-110

Crystals of Sound: Applying the Physics of Phase Transitions to Musical Intonation

Ryan Buechele, Alex Cooke and Jesse Berezovsky

2025-03-03 Volume 19 • Issue 2 • 2024 • 118-143

Commentaries

Aesthetics, Modalities, Evolution, and Creativity: Commentary on Friedman et al. (2024)

Aaron Kozbelt

2025-03-03 Volume 19 • Issue 2 • 2024 • 88-94

Commentary on Friedman et al. (2024): A General Preference for Complexity?

Ana Clemente

2025-03-03 Volume 19 • Issue 2 • 2024 • 95-101

Polyphony, Uncertainty, and Exploration in Sonata Form: Commentary on De Souza, Dvorsky, and Oyon

Chen-Gia Tsai

2025-03-03 Volume 19 • Issue 2 • 2024 • 111-113

Commentary on De Souza, Dvorsky, and Oyon (2024): Texture and Sonata Form in Classical String Quartets

Edward T. R. Hall

2025-03-03 Volume 19 • Issue 2 • 2024 • 114-117

Commentary on Buechele, Cooke, & Berezovsky (2024): Entropic Models of Scales and some Extensions

Andrew Milne

2025-03-03 Volume 19 • Issue 2 • 2024 • 144-153

Commentary on Buechele et al. (2023): Communicating Across the Divide – a Place for Physics in Music?

John M. McBride

2025-03-03 Volume 19 • Issue 2 • 2024 • 154-172

Book Review

Richard Parncutt's "Psychoacoustic foundations of major-minor tonality”

Nicola Di Stefano

2025-03-03 Volume 19 • Issue 2 • 2024 • 173-178

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