Articles

342 results

Commentary on Poudrier et al.’s (2025) “Listener’s Perceived Emotions in Synthetic and Pitch-Randomized Music Excerpts”

Daniel Müllensiefen

2026-10-01 Volume 20 • Issue 2 • 2025 • 141-143

The Question of Melismas: Commentary on Lee et al. (2025)

Nat Condit-Schultz

2026-10-01 Volume 20 • Issue 2 • 2025 • 113-114

Commentary on "Swing Usage in Country Music (1949-2023) via Corpus Analysis"

Samuel Gardner

2026-10-01 Volume 20 • Issue 2 • 2025 • 92-94

Meter Is Not Categorical: Commentary on Martin (2025)

Bryan Jacob Bell

2026-10-01 Volume 20 • Issue 2 • 2025 • 86-91

Listener’s Perceived Emotions in Synthetic and Pitch-Randomized Music Excerpts

Ève Poudrier, Bryan Jacob Bell, Jason Yin Hei Lee and Craig Stuart Sapp

2026-10-01 Volume 20 • Issue 2 • 2025 • 115-140

Swing Usage in Country Music (1949-2023) via Corpus Analysis

Samuel Martin

2026-10-01 Volume 20 • Issue 2 • 2025 • 72-85

Tone-Melody Correspondence in Cantopop: Patterns of Directionality and Interval Size from a Corpus Study

Jason Yin Hei Lee

2026-10-01 Volume 20 • Issue 2 • 2025 • 95-112

Editor's Note

Joshua Albrecht and Niels Chr. Hansen

2026-10-01 Volume 20 • Issue 2 • 2025 • 71

Annotating Texture and Imitation Patterns in a Corpus of Slow Movements in Corelli’s Trio Sonatas

Jérémie Roux, Mathieu Giraud and Florence Levé

2026-06-11 Volume 20 • Issue 1 • 2025 • 63-70

Commentary on: “Pattern Use in Bass Lines of Two Eminent Jazz Musicians” by Mikko Nurmi

Martin Norgaard

2026-06-11 Volume 20 • Issue 1 • 2025 • 61-62

Commentary on Samuel Gardner and Abby Fiedler: The Role of Musical Training in the Perception of Popular-Music Harmonic Schemata

Matthew Eitel

2026-06-11 Volume 20 • Issue 1 • 2025 • 58-60

New Clichés or Old Expectations? On the Representation of Diversity in Schlager: Commentary on Thiesen (2025)

Irving Benoît Wolther

2026-06-11 Volume 20 • Issue 1 • 2025 • 56-57

Pattern Use in Bass Lines of Two Eminent Jazz Musicians

Mikko Nurmi

2026-06-11 Volume 20 • Issue 1 • 2025 • 36-55

The Role of Musical Training in the Perception of Popular-Music Harmonic Schemata

Samuel Gardner and Abby Fiedler

2026-06-11 Volume 20 • Issue 1 • 2025 • 18-35

Let’s Have Some New Clichés: Topics and Representations of Social Diversity in Top-10 German Schlager Songs from 2009 to 2019

Felix Christian Thiesen

2026-06-11 Volume 20 • Issue 1 • 2025 • 2-17

Editor's Note

Joshua Albrecht and Niels Chr. Hansen

2026-06-11 Volume 20 • Issue 1 • 2025 • 1

Editor’s Note

Niels Chr. Hansen and Daniel Müllensiefen

2025-03-03 Volume 19 • Issue 2 • 2024 • 76

Commentary on De Souza, Dvorsky, and Oyon (2024): Texture and Sonata Form in Classical String Quartets

Edward T. R. Hall

2025-03-03 Volume 19 • Issue 2 • 2024 • 114-117

Richard Parncutt's "Psychoacoustic foundations of major-minor tonality”

Nicola Di Stefano

2025-03-03 Volume 19 • Issue 2 • 2024 • 173-178

Polyphony, Uncertainty, and Exploration in Sonata Form: Commentary on De Souza, Dvorsky, and Oyon

Chen-Gia Tsai

2025-03-03 Volume 19 • Issue 2 • 2024 • 111-113

Commentary on Buechele, Cooke, & Berezovsky (2024): Entropic Models of Scales and some Extensions

Andrew Milne

2025-03-03 Volume 19 • Issue 2 • 2024 • 144-153

Aesthetics, Modalities, Evolution, and Creativity: Commentary on Friedman et al. (2024)

Aaron Kozbelt

2025-03-03 Volume 19 • Issue 2 • 2024 • 88-94

Commentary on Friedman et al. (2024): A General Preference for Complexity?

Ana Clemente

2025-03-03 Volume 19 • Issue 2 • 2024 • 95-101

Commentary on Buechele et al. (2023): Communicating Across the Divide – a Place for Physics in Music?

John M. McBride

2025-03-03 Volume 19 • Issue 2 • 2024 • 154-172

Reexamining the Association between Aesthetic Sensitivity to Musical and Visual Complexity

Ronald Friedman, Sijia Song and Gregory Cox

2025-03-03 Volume 19 • Issue 2 • 2024 • 77-87