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Empirical Musicology Review

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Current Issue

Vol. 16 No. 2 (2021)
					View Vol. 16 No. 2 (2021)
Published: 2023-03-07

Editor's Note

  • Editor's Note

    Daniel Shanahan, Daniel Müllensiefen
    175
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Articles

  • Velocity and Virtuosity: An Empirical Investigation of Basic Tempo in Contemporary Performances of Two Large-scale Works of Chopin and Liszt

    Danny Zhou, Dorottya Fabian
    176-204
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  • A Computational Approach to the Detection and Prediction of (Ir)Regularity in Children's Folk Songs

    Lorena Mihelac, Janez Povh, Geraint A. Wiggins
    205-230
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  • Variations in timbre qualia with register and dynamics in the oboe and French horn

    Lindsey Reymore
    231-275
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  • Key-Specific Structure in Mozart's Music: A Peek into his Creative Process?

    Uri B. Rom, Saharon Rosset
    276-311
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  • The Sticky Riff: Quantifying the Melodic Identities of Medieval Modes

    Kate Helsen, Mark Daley, Jake Schindler
    312-325
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Commentaries

  • Commentary on Zhou and Fabian (2021)

    Morwaread M. Farbood
    326-327
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  • Commentary on "A Computational Approach to the Detection and Prediction of (Ir)Regularity in Children's Folk Songs"

    Carlos Eduardo Cancino-Chacon
    328-335
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  • Beyond (the cave of) pitch/loudness-equalization: A Commentary on Reymore (2021)

    Kai Siedenburg
    336-340
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Data Reports

  • An Analytical Dataset of Approaches to V in Mozart

    Jenine Brown, Daphne Tan, Michelle Lin
    341-350
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About the Journal

Empirical Musicology Review (EMR) aims to provide an international forum promoting the understanding of music in all of its facets. In particular, EMR aims to facilitate communication and debate between scholars engaged in systematic and observation-based music scholarship. Debate is promoted through publication of commentaries on research articles.

Scope

EMR publishes original research articles, commentaries, editorials, book reviews, interviews, letters, and data sets. Suitable topics include music history, performance, theory, education, and composition -- with an emphasis on systematic methods, such as hypothesis-testing, modeling, and controlled observation. Submissions pertaining to social, political, cultural and economic phenomena are welcome. Theoretical and speculative articles are welcome provided they contribute to the forming of empirically testable hypotheses, models or theories, or they provide critiques of methodology. 

History

EMR was founded by David Huron and David Butler in 2004 and began publishing in January 2006. The editorial process for EMR pioneers a new "Public Peer Review" practice that is intended to encourage scholarly dialog and reward reviewers for timely and thoughtful engagement with submissions. Previous editors include David Butler, William Forde Thompson, Peter Keller, Nicola Dibben, Renee Timmers, and Daniel Shanahan. The current editors are Niels Chr. Hansen and Daniel Müllensiefen.

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Beginning with Volume 7, No 3-4 (2012), Empirical Musicology Review is published under a Creative Commons Attribution-NonCommercial license.

Empirical Musicology Review is published by The Ohio State University Libraries.

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ISSN: 1559-5749

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