Volume 11 • Issue 3-4 • 2016


Editor's Note

Editor's Note

Daniel M and Daniel Shanahan

2017-04-25 Volume 11 • Issue 3-4 • 2016 • 271

Articles

Investigating Periodic Body Motions as a Tacit Reference Structure in Norwegian Telespringar Performance

Mari Romarheim Haugen

2017-04-25 Volume 11 • Issue 3-4 • 2016 • 272-294

Pleasurable and Intersubjectively Embodied Experiences of Electronic Dance Music

Ragnhild Torvanger Solberg and Alexander Refsum Jensenius

2017-04-25 Volume 11 • Issue 3-4 • 2016 • 301-318

Aesthetic Experience Explained by the Affect-Space Framework

Emery Schubert, Adrian C. North and David J. Hargreaves

2017-04-25 Volume 11 • Issue 3-4 • 2016 • 330-345

Commentaries

Commentary on Mari Romarheim Haugen: Investigating Periodic Body Motions as a Tacit Reference Structure in Norwegian Telespringar Performance

Muriel Swijghuisen Reigersberg

2017-04-25 Volume 11 • Issue 3-4 • 2016 • 295-300

Commentary on: Solberg and Jensenius (2016) Investigation of 'intersubjectively embodied experience' in a controlled electronic dance music setting

Alinka E. Greasley

2017-04-25 Volume 11 • Issue 3-4 • 2016 • 319-323

Comment on Solberg and Jensenius: The Temporal Dynamics of Embodied Pleasure in Music

Maria A. G. Witek and Peter Vuust

2017-04-25 Volume 11 • Issue 3-4 • 2016 • 324-329

Commentary on: Aesthetic Experience Explained by the Affect-Space Framework by Schubert, North and Hargreaves

Melanie Wald-Fuhrmann

2017-04-25 Volume 11 • Issue 3-4 • 2016 • 346-349

Commentary on "Aesthetic Experience Explained by the Affect-Space Framework" by E. Schubert, A. C. North, & D. J. Hargreaves

Elvira Brattico

2017-04-25 Volume 11 • Issue 3-4 • 2016 • 350-353

Book Review

Dorottya Fabian, A Musicology of Performance: Theory and Method Based on Bach's Solos for Violin

Eitan Ornoy

2017-04-25 Volume 11 • Issue 3-4 • 2016 • 354-360

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