Volume 18 • Issue 1 • 2023


Editor's Note

Editor's Note

Niels Chr. Hansen and Daniel Müllensiefen

2024-01-12 Volume 18 • Issue 1 • 2023 • 1

Articles

Why do I like Schumann more than Chopin? A Physiological Analysis of Pianists' Affinities for Composers

Yuriko Watanabe and Shutaro Takeda

2024-01-12 Volume 18 • Issue 1 • 2023 • 2-16

Sound-producing actions in guitar performance of groove-based microrhythm

Guilherme Schmidt Câmara, George Sioros, Kristian Nymoen, Mari Romarheim Haugen and Anne Danielsen

2024-01-12 Volume 18 • Issue 1 • 2023 • 21-36

Brief Exposure to Notated Scores: Pianists' Quick Impressions of Musical Style

Erkki Huovinen and Jenni Rinne

2024-01-12 Volume 18 • Issue 1 • 2023 • 42-59

Perception of Structure in Collective Free Improvisation and its Context Dependency: An Exploratory Analysis

Arthur Faraco

2024-01-12 Volume 18 • Issue 1 • 2023 • 63-81

Commentaries

Commentary on Watanabe and Takeda (2023)

Edoardo Passarotto

2024-01-12 Volume 18 • Issue 1 • 2023 • 17-18

Commentary on Watanabe and Takeda

Urtė Cinelytė

2024-01-12 Volume 18 • Issue 1 • 2023 • 19-20

Revisiting Charles Keil: Commentary on Câmara et al. (2023)

Olivier Senn

2024-01-12 Volume 18 • Issue 1 • 2023 • 37-41

Influences on Recognizing Style from Brief Glances at Piano Scores: A Commentary on Huovinen & Rinne (2023)

Andrea R. Halpern

2024-01-12 Volume 18 • Issue 1 • 2023 • 60-62

Commentary on: "Perception of Structure in Collective Free Improvisation and its Context Dependency" by Arthur Faraco

Martin Norgaard

2024-01-12 Volume 18 • Issue 1 • 2023 • 82-83

Data Reports

An Annotated Corpus of Tonal Piano Music from the Long 19th Century

Johannes Hentschel, Yannis Rammos, Fabian C. Moss, Markus Neuwirth and Martin Rohrmeier

2024-01-12 Volume 18 • Issue 1 • 2023 • 84-95

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