Volume 7 • Issue 3-4 • 2012 • Empirical Musicology Review


Editor's Note

Editors' Note

Nicola Dibben and Renee Timmers

2013-08-09 Volume 7 • Issue 3-4 • 2012 • Empirical Musicology Review • 102

Articles

The Harmonic Minor Scale Provides an Optimum Way of Reducing Average Melodic Interval Size, Consistent with Sad Affect Cues

David Huron and Matthew Davis

2013-07-01 Volume 7 • Issue 3-4 • 2012 • Empirical Musicology Review • 103-117

Major-Minor Tonality, Schenkerian Prolongation, and Emotion: A commentary on Huron and Davis (2012)

Richard Parncutt

2013-07-01 Volume 7 • Issue 3-4 • 2012 • Empirical Musicology Review • 118-137

Interval Size and Affect: An Ethnomusicological Perspective

Sarha Moore

2013-06-27 Volume 7 • Issue 3-4 • 2012 • Empirical Musicology Review • 138-143

A method for testing synchronization to a musical beat in domestic horses (Equus ferus caballus)

Micah R. Bregman, John R. Iversen, David Lichman, Meredith Reinhart and Aniruddh D. Patel

2013-06-25 Volume 7 • Issue 3-4 • 2012 • Empirical Musicology Review • 144-156

If horses entrain, don’t entirely reject vocal learning: An experience-based vocal learning hypothesis

Adena Schachner

2013-07-01 Volume 7 • Issue 3-4 • 2012 • Empirical Musicology Review • 157-159

A commentary on Micah Bregman et al.: A method for testing synchronization to a musical beat in domestic horses (Equus ferus caballus)

Sandy Venneman

2013-07-01 Volume 7 • Issue 3-4 • 2012 • Empirical Musicology Review • 160-163

Book Review

Aaron L. Berkowitz, The Improvising Mind: Cognition and Creativity in the Musical Moment. New York: Oxford University Press, 2010.

Jakub Matyja

2013-07-01 Volume 7 • Issue 3-4 • 2012 • Empirical Musicology Review • 164-166

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