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  1. Home /
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  3. Vol. 12 No. 3-4 (2017) /
  4. Editor's Note

Editor's Note

Authors

  • Daniel M Goldsmiths, University of London http://orcid.org/0000-0001-7297-1760
  • Daniel Shanahan Louisiana State University

DOI:

https://doi.org/10.18061/emr.v12i3-4.6385

Abstract

No abstract available.

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Published

2018-06-25

Issue

Vol. 12 No. 3-4 (2017)

Section

Editor's Note

License

Copyright (c) 2018 Daniel Müllensiefen, Daniel Shanahan

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

About the Journal

Empirical Musicology Review (EMR) aims to provide an international forum promoting the understanding of music in all of its facets. In particular, EMR aims to facilitate communication and debate between scholars engaged in systematic and observation-based music scholarship. Debate is promoted through publication of commentaries on research articles.

Scope

EMR publishes original research articles, commentaries, editorials, book reviews, interviews, letters, and data sets. Suitable topics include music history, performance, theory, education, and composition -- with an emphasis on systematic methods, such as hypothesis-testing, modeling, and controlled observation. Submissions pertaining to social, political, cultural and economic phenomena are welcome. Theoretical and speculative articles are welcome provided they contribute to the forming of empirically testable hypotheses, models or theories, or they provide critiques of methodology. 

History

EMR was founded by David Huron and David Butler in 2004 and began publishing in January 2006. The editorial process for EMR pioneers a new "Public Peer Review" practice that is intended to encourage scholarly dialog and reward reviewers for timely and thoughtful engagement with submissions. Previous editors include David Butler, William Forde Thompson, Peter Keller, Nicola Dibben, Renee Timmers, and Daniel Shanahan. The current editors are Niels Chr. Hansen and Daniel Müllensiefen.

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Beginning with Volume 7, No 3-4 (2012), Empirical Musicology Review is published under a Creative Commons Attribution-NonCommercial license.

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