Transpositions Within User-Posted YouTube Lyric Videos: A Corpus Study
DOI:
https://doi.org/10.18061/emr.v11i1.4972Keywords:
YouTubeology, music communication models, digital audio manipulations, active listenersAbstract
There are many practical reasons why experiences of a given musical work tend to be heard repeatedly at the same pitch transposition level, especially recordings of musical works. Yet here, a corpus study is presented that challenges this very basic assumption of music perception. In 2011, an initial corpus of 100 user-posted YouTube videos was collected in order to investigate the prevalence of transposition and tempo alterations within these videos. Results found 42% of these videos contained nominal changes of pitch (36%) and/or tempo (22%). Using the same methodology, a follow-up study was performed in 2015 and found only that 24% of user-posted videos contained these same alterations. Implications for these observations are discussed in light of musical communication models, YouTubeology, and absolute pitch memory.Published
How to Cite
Issue
Section
License
Copyright (c) 2016 Joseph Plazak
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.