Response to Haddon and Hutchinson Empathy in ensemble performance

Authors

  • Mine Doantan-Dack University of Oxford

DOI:

https://doi.org/10.18061/emr.v10i1-2.4584

Keywords:

piano duet, empathy as emergent, empathy as epistemic tool

Abstract

This commentary emphasizes empathy as a biologically and culturally embedded, dynamically emergent phenomenon, and critically evaluates its epistemic status in explaining human action.

Special Issue on Music and Empathy, Guest Edited by Caroline Waddington

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Published

2015-04-08

How to Cite

Doantan-Dack, M. (2015). Response to Haddon and Hutchinson Empathy in ensemble performance. Empirical Musicology Review, 10(1-2), 154–156. https://doi.org/10.18061/emr.v10i1-2.4584

Issue

Vol. 10 No. 1-2 (2015): Special Issue: Music and Empathy

Section

Commentaries

License

Copyright (c) 2015 Mine Doğantan-Dack

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.