Volume 8 • Issue 1 • 2013 • Vol 8, No 1 (2013): Empirical Musicology Review

Special Issue on Music and Shape - Pedagogy and Performance


Editor's Note

Introduction to Special Issue on Music and Shape

Daniel Leech-Wilkinson and Mats B. K

2013-10-24 Volume 8 • Issue 1 • 2013 • Vol 8, No 1 (2013): Empirical Musicology Review • 1

Articles

Gesture and the Sonic Event in Karnatak Music

Lara Pearson

2013-10-24 Volume 8 • Issue 1 • 2013 • Vol 8, No 1 (2013): Empirical Musicology Review • 2-14

Mixtapes and Turntablism: DJs’ Perspectives on Musical Shape

Alinka E. Greasley and Helen M. Prior

2013-10-24 Volume 8 • Issue 1 • 2013 • Vol 8, No 1 (2013): Empirical Musicology Review • 23-43

The Sign Language of Music: Musical Shaping Gestures (MSGs) in Rehearsal Talk by Performers with Hearing Impairments

Robert Fulford and Jane Ginsborg

2013-10-24 Volume 8 • Issue 1 • 2013 • Vol 8, No 1 (2013): Empirical Musicology Review • 53-67

Commentaries

Thinking Sound and Body-Motion Shapes in Music: Public Peer Review of “Gesture and the Sonic Event in Karnatak Music” by Lara Pearson

Rolfe Inge God

2013-10-24 Volume 8 • Issue 1 • 2013 • Vol 8, No 1 (2013): Empirical Musicology Review • 15-18

The Need for a Cross-Cultural Empirical Musicology

Marc Leman

2013-10-24 Volume 8 • Issue 1 • 2013 • Vol 8, No 1 (2013): Empirical Musicology Review • 19-22

Expressivity and Musical Shape in Turntablism: Response to Greasley and Prior

Kjetil Falkenberg Hansen

2013-10-24 Volume 8 • Issue 1 • 2013 • Vol 8, No 1 (2013): Empirical Musicology Review • 44-47

Response to Alinka E. Greasley & Helen M. Prior: Mixtapes and Turntablism: DJs’ Perspectives on Musical Shape

Ed Montano

2013-10-24 Volume 8 • Issue 1 • 2013 • Vol 8, No 1 (2013): Empirical Musicology Review • 48-52

Musical Shaping Gestures: Considerations about Terminology and Methodology

Elaine King

2013-10-24 Volume 8 • Issue 1 • 2013 • Vol 8, No 1 (2013): Empirical Musicology Review • 68-71

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