Volume 17 • Issue 1 • 2022


Editor's Note

Editor’s Note

Daniel Shanahan, Daniel Müllensiefen and Niels Chr. Hansen

2023-08-10 Volume 17 • Issue 1 • 2022 • 1

Articles

An Information-Theoretical Method for Comparing Completions of Contrapunctus XIV from Bach’s Art of Fugue

Iván Paz, Francis Knights, Pablo Padilla and Dan Tidhar

2023-08-10 Volume 17 • Issue 1 • 2022 • 2-10

How Accurate is whosampled.com?: Exploring the reliability of a user-generated resource

Jeremy Orosz

2023-08-10 Volume 17 • Issue 1 • 2022 • 11-35

Commentaries

Commentary on “An Information-Theoretical Method for Comparing Completions of Contrapunctus XIV from Bach’s Art of Fugue”

Stefanie Acevedo

2023-08-10 Volume 17 • Issue 1 • 2022 • 36-42

Blurred Lines in Allegations of Musical Intertextuality: A Response to Orosz

Trevor de Clercq and Deborah Wagnon

2023-08-10 Volume 17 • Issue 1 • 2022 • 43-48

Data Reports

A Demographic Sampling Model and Database for Addressing Racial, Ethnic, and Gender Bias in Popular-music Empirical Research

Nicholas J. Shea

2023-08-10 Volume 17 • Issue 1 • 2022 • 49-58

Research Report

Reexamining the Effects of Ratio Simplicity and Familiarity on Abstract Pattern Learning in Dyad Sequences

Ronald S. Friedman, Douglas A. Kowalewski and Sijia E. Song

2023-08-10 Volume 17 • Issue 1 • 2022 • 59-68

Letter to the Editor

The Prolactin Theory of Sad-Music Enjoyment is Wrong.

David Huron

2023-08-10 Volume 17 • Issue 1 • 2022 • 69-70

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