Emperical Musicology Review | Issue: Issue: 1-2(12) (2017)

Editor’s Note

Daniel M and Daniel Shanahan

2017-09-26 Volume 12 • Issue 1-2 • 2017 • 1

Small Influence of Performing from Memory on Audience Evaluation

Reinhard Kopiez, Anna Wolf and Friedrich Platz

2017-09-26 Volume 12 • Issue 1-2 • 2017 • 2-14

Relationships Between Tonal Stability and Metrical Accent in Monophonic Contexts

Christopher White

2017-09-26 Volume 12 • Issue 1-2 • 2017 • 19-37

Expressive Tempo Modifications in Adelina Patti's Recordings: An Integrated Approach

Massimo Zicari

2017-09-26 Volume 12 • Issue 1-2 • 2017 • 42-56

Musical Complexity and "Embodied Notation": A Study of the Opus Clavicembalisticum (K. S. Sorabji)

Lukas Huisman, Bruno Gingras, Geert Dhondt and Marc Leman

2017-09-26 Volume 12 • Issue 1-2 • 2017 • 59-71

In Search of the Golden Age Hip-Hop Sound (1986–1996)

Ben Duinker and Denis Martin

2017-09-26 Volume 12 • Issue 1-2 • 2017 • 80-100

Commentary on Kopiez, Wolf, and Platz: The impact of playing from memory on performance evaluation

Bruno Gingras

2017-09-26 Volume 12 • Issue 1-2 • 2017 • 15-18

Commentary on Christopher White, "Relationships between tonal stability and metrical accent in monophonic contexts."

David Temperley

2017-09-26 Volume 12 • Issue 1-2 • 2017 • 38-41

Commentary on Zicari. Expressive Tempo Modifications in Adelina Patti's Recordings: An Integrated Approach

Jaan Ross

2017-09-26 Volume 12 • Issue 1-2 • 2017 • 57-58

Performers, Composers, Scores and Editions: Commentary on Huisman, Gingras, Dhondt, and Leman (2017)

Dorottya Fabian

2017-09-26 Volume 12 • Issue 1-2 • 2017 • 72-74

Deciphering and Embodying Contemporary Piano Scores: A Commentary on Huisman, Gingras, Dhondt, and Leman (2017)

Jennifer MacRitchie

2017-09-26 Volume 12 • Issue 1-2 • 2017 • 75-79

Style and Flow: A Commentary on Duinker & Martin

Jonah Katz

2017-09-26 Volume 12 • Issue 1-2 • 2017 • 101-108

Jordan B. L. Smith, Elaine Chew, & Gérard Assayag (editors), Mathemusical conversations: Mathematics and computation in music performance and composition

Peter M. C. Harrison

2017-09-26 Volume 12 • Issue 1-2 • 2017 • 109-114

Volume 12 • Issue 1-2 • 2017

Editor's Note