Emperical Musicology Review | Issue: Issue: 3(10) (2015)

Volume 10 • Issue 3 • 2015

General issue

Editor's Note

Editors' Note

Nicola Dibben

2015-12-20 Volume 10 • Issue 3 • 2015 • 160

Articles

The Role of Absolute Pitch Memory in the Oral Transmission of Folksongs

Merwin Olthof, Berit Janssen and Henkjan Honing

2015-09-23 Volume 10 • Issue 3 • 2015 • 161-174

A Model for Scale-Degree Reinterpretation: Melodic Structure, Modulation, and Cadence Choice in the Chorale Harmonizations of J. S. Bach

Trevor de Clercq

2015-05-12 Volume 10 • Issue 3 • 2015 • 188-206

“The Times They Were A-Changin’”: A Database-Driven Approach to the Evolution of Musical Syntax in Popular Music from the 1960s

Hubert L

2015-04-09 Volume 10 • Issue 3 • 2015 • 215-238

Theoretical Proposals on How Vertical Harmony May Convey Nostalgia and Longing in Music

Imre Lahdelma and Tuomas Eerola

2015-09-08 Volume 10 • Issue 3 • 2015 • 245-263

Commentaries

Absolute Pitch in Naturalistic Singing: A Commentary on Olthof et al. (2015)

Andrea Halpern

2015-09-23 Volume 10 • Issue 3 • 2015 • 175-177

Absolute Pitch in Oral Transmission of Folk Tunes as Constrained Random Walks

Klaus Frieler

2015-09-16 Volume 10 • Issue 3 • 2015 • 178-187

Probability and Style in the Chorales of J. S. Bach

Matthew Woolhouse

2015-07-12 Volume 10 • Issue 3 • 2015 • 207-214

Corpus Studies of Harmony in Popular Music: A Response to Gauvin

Trevor deClercq

2015-04-09 Volume 10 • Issue 3 • 2015 • 239-244