Representation in Corpus Studies of Music: Commentary on Shea's (2022) "A Demographic Sampling Model and Database for Addressing Racial, Ethnic, and Gender Bias in Popular-music Empirical Research"

Authors

  • Trevor de Clercq Middle Tennessee State University

DOI:

https://doi.org/10.18061/emr.v18i2.9726

Keywords:

popular music, race, ethnicity, gender, sampling, corpus studies

Abstract

This commentary responds to the article by Nicholas Shea in Vol. 17(1) of this journal, which offers a method to encode the demographic information of the artists in a corpus of popular music and then describes a resampling procedure to create a new corpus based on specific demographic targets. I argue that attempts to diversify the demographic distribution of popular music corpora should occur not at the sampling stage but instead at a prior stage when the researcher is determining the musical style or era to study. Once this musical style or era has been determined, empirical principles oblige the researcher to create a corpus that faithfully represents the statistical population.

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Published

2024-06-07

How to Cite

de Clercq, T. (2024). Representation in Corpus Studies of Music: Commentary on Shea’s (2022) "A Demographic Sampling Model and Database for Addressing Racial, Ethnic, and Gender Bias in Popular-music Empirical Research". Empirical Musicology Review, 18(2), 175–180. https://doi.org/10.18061/emr.v18i2.9726

Issue

Section

Commentaries