Commentary on Gilad Rabinovitch's "Unplayed Galant Melodies, the Ubiquity of the Rarest Interval, and the Heyday of the Major Mode."

Authors

  • David Clampitt Ohio State University

DOI:

https://doi.org/10.18061/emr.v14i3-4.7571

Keywords:

Galant schemata, scale theory

Abstract

This is a commentary accompanying Rabinovitch (2019), situating the research within some previous work on scale theory.

Empirical Musicology Review Volume 14 Nos. 3-4 2019

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Published

2020-07-06

How to Cite

Clampitt, D. (2020). Commentary on Gilad Rabinovitch’s "Unplayed Galant Melodies, the Ubiquity of the Rarest Interval, and the Heyday of the Major Mode.". Empirical Musicology Review, 14(3-4), 135–137. https://doi.org/10.18061/emr.v14i3-4.7571

Issue

Vol. 14 No. 3-4 (2019)

Section

Commentaries

License

Copyright (c) 2020 David Clampitt

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.