Commentary on Huron and Trevor (2016)
DOI:
https://doi.org/10.18061/emr.v11i2.5512Keywords:
commentary, stopped strings, sad music, music and emotionAbstract
This commentary offers a review of Huron and Trevor's article on the relationship between the likelihood of a composition and performance using stopped strings, and its overall sadness.Published
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Copyright (c) 2017 Daniel Müllensiefen
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.