Empirically Assessing Rhythmic Entrainment: A Re-analysis of Ohriner’s “Listener-Performance Synchronicity in Recorded Performances of Chopin’s Mazurkas”

Werner Goebl

doi:10.18061/emr.v9i2.4485

Empirically Assessing Rhythmic Entrainment: A Re-analysis of Ohriner’s “Listener-Performance Synchronicity in Recorded Performances of Chopin’s Mazurkas”

Authors

Werner Goebl Institute of Music Acoustics University of Music and Performing Arts Vienna

DOI:

https://doi.org/10.18061/emr.v9i2.4485

Keywords:

sensorimotor synchronization, data re-analysis, prediction index, tracking index

Abstract

This text comments on Ohriner’s (2014) paper and undertakes a brief quantitative re-analysis of Ohriner’s tapping data generously provided by the author. The aim here is to briefly test two hypotheses brought forward in the original paper in a quantitative way by proposing an alternative way of data processing and analysis. Future extensions of this promising stream of work are discussed.

Cover image for Empirical Musicology Review Volume 9, Number 2

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Published

2014-10-03

How to Cite

Goebl, W. (2014). Empirically Assessing Rhythmic Entrainment: A Re-analysis of Ohriner’s “Listener-Performance Synchronicity in Recorded Performances of Chopin’s Mazurkas”. Empirical Musicology Review, 9(2), 133–140. https://doi.org/10.18061/emr.v9i2.4485