Thinking Sound and Body-Motion Shapes in Music: Public Peer Review of “Gesture and the Sonic Event in Karnatak Music” by Lara Pearson
Keywords:Indian vocal music, body motion, shape, multimodality
It seems that the majority of research on music-related body motion has so far been focused on Western music, so this paper by Lara Pearson on music-related body motion in Indian vocal music is a most welcome contribution to this field. But research on music-related body motion does present us with a number of challenges, ranging from issues of method to fundamental issues of perception and multimodal integration in music. In such research, thinking of perceptually salient features in different modalities (sound, motion, touch, etc.) as shapes seems to go well with our cognitive apparatus, and also be quite practical in representing the features in question. The research reported in this paper gives us an insight into how tracing shapes by hand motion is an integral part of teaching Indian vocal music, and the approach of this paper also holds promise for fruitful future research.
Copyright (c) 2013 Rolfe Inge Godøy
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.