Hypermetrical Irregularity in Sonata Form: A Corpus Study

Jonathan De Souza, David Lokan

Abstract


In sonata form, development sections are characterized by tonal, textural, and phrase-structural instability. But are these instabilities counterbalanced by regularity in other musical domains? Are any syntactic layers more consistent in developments, relative to expositions or recapitulations? This corpus study examined hypermeter in expositions and developments from eighteenth- and nineteenth-century symphonic sonata movements. It analyzed both hypermetrical shifts (where a hypermeasure's duration differs from that of the preceding group) and hypermetrical deviations (where a hypermeasure departs from the four-measure norm). Developments had significantly less hypermetrical irregularity than expositions. This difference between formal sections was observed with all composers in the corpus, though they used varied amounts of hypermetrical regularity overall. These results, which are likely related to sequence blocks in the developmental core, suggest that hypermetrical grouping might serve a stabilizing function in sonata developments.


Keywords


sonata form; hypermeter; corpus analysis

Full Text:

PDF HTML


DOI: http://dx.doi.org/10.18061/emr.v14i3-4.6906

Refbacks

  • There are currently no refbacks.


Copyright (c) 2020 Jonathan De Souza, David Lokan

Creative Commons License
This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.

 


Beginning with Volume 7, No 3-4 (2012), Empirical Musicology Review is published under a Creative Commons Attribution-NonCommercial license

Empirical Musicology Review is published by The Ohio State University Libraries.

If you encounter problems with the site or have comments to offer, including any access difficulty due to incompatibility with adaptive technology, please contact libkbhelp@lists.osu.edu.

ISSN: 1559-5749