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Issue Title
 
Vol 10, No 1-2 (2015): Special Issue: Music and Empathy Extension, Variability, and Normativity: Deniz Peters on Musical Experience Abstract   PDF   HTML
Philip Alperson
 
Vol 14, No 3-4 (2019) Fame, Obscurity and Power Laws in Music History Abstract   PDF   HTML
Andrew Gustar
 
Vol 10, No 1-2 (2015): Special Issue: Music and Empathy Feeling the Emotions of Acted Characters: Commentary on Heisel Abstract   PDF   HTML
Thalia R Goldstein
 
Vol 13, No 1-2 (2018) Fitness and Musical Taste: Do Physically Fit Listeners Prefer More Stressful Music? Abstract   PDF   HTML
Lindsay Warrenburg, David Huron
 
Vol 9, No 1 (2014): Empirical Musicology Review From Speech to Song: A Response to Johnson, Huron and Collister on the Interaction of Music and Lyrics Abstract   HTML   PDF
Edward Wickham
 
Vol 8, No 1 (2013): Empirical Musicology Review Gesture and the Sonic Event in Karnatak Music Abstract   PDF   HTML
Lara Pearson
 
Vol 9, No 2 (2014) Heroes and Villains: The Relationship between Pitch Tessitura and Sociability of Operatic Characters Abstract   PDF   HTML
Daniel Shanahan, David Huron
 
Vol 10, No 1-2 (2015): Special Issue: Music and Empathy How Down is a Downbeat? Feeling Meter and Gravity in Music and Dance Abstract   PDF   HTML
Jonathan Still
 
Vol 11, No 2 (2016): Special Issue on Corpus Studies: No.2 How Near Will You Hear? A Response to Benadon, "Near-unisons in Afro-Cuban Ensemble Drumming" Abstract   PDF   HTML
Peter Martens
 
Vol 10, No 1-2 (2015): Special Issue: Music and Empathy How, Rather Than What Type of, Music Increases Empathy Abstract   PDF   HTML
Tal-Chen Rabinowitch
 
Vol 13, No 3-4 (2018) How Stable is Pitch Labeling Accuracy in Absolute Pitch Possessors? Abstract   PDF   HTML
Wilfried Gruhn, Reet Ristmägi, Peter Schneider, Arun D'Souza, Kristi Kiilu
 
Vol 14, No 1-2 (2019) How Thomas A. Edison shaped today's singing ideal: Tracking his ambiguous concept of tremolo by analysing archival documents and sound recordings Abstract   PDF   HTML
Tilo Hähnel, Karin Martensen
 
Vol 14, No 3-4 (2019) Hypermetrical Irregularity in Sonata Form: A Corpus Study Abstract   PDF   HTML
Jonathan De Souza, David Lokan
 
Vol 7, No 3-4 (2012): Empirical Musicology Review If horses entrain, don’t entirely reject vocal learning: An experience-based vocal learning hypothesis Abstract   PDF   HTML
Adena Schachner
 
Vol 12, No 1-2 (2017) In Search of the Golden Age Hip-Hop Sound (1986–1996) Abstract   PDF   HTML
Ben Duinker, Denis Martin
 
Vol 7, No 3-4 (2012): Empirical Musicology Review Interval Size and Affect: An Ethnomusicological Perspective Abstract   PDF   HTML
Sarha Moore
 
Vol 9, No 3-4 (2014): Special Issue: Music and Embodied Cognition Introduction to Special Issue on Music and Embodied Cognition Abstract   PDF
Kevin J Ryan
 
Vol 8, No 1 (2013): Empirical Musicology Review Introduction to Special Issue on Music and Shape Abstract   PDF   HTML
Daniel Leech-Wilkinson, Mats B. Küssner
 
Vol 8, No 2 (2013): Empirical Musicology Review Introduction to Special Issue on Music and Shape: Motion Shapes Abstract   PDF   HTML
Daniel Leech-Wilkinson, Mats B. Küssner
 
Vol 8, Nos 3-4 (2013): Empirical Musicology Review Introduction to Special Issue on Music and Shape: Perception and Theory Abstract   PDF   HTML
Daniel Leech-Wilkinson, Mats B. Küssner
 
Vol 10, No 1-2 (2015): Special Issue: Music and Empathy Introduction to the Special Issue on Music and Empathy: Part 1 Abstract   PDF   HTML
Caroline Waddington
 
Vol 10, No 1-2 (2015): Special Issue: Music and Empathy Introduction to the Special Issue on Music and Empathy: Part 2 Abstract   PDF   HTML
Caroline Waddington
 
Vol 11, No 3-4 (2016) Investigating Periodic Body Motions as a Tacit Reference Structure in Norwegian Telespringar Performance Abstract   PDF   HTML
Mari Romarheim Haugen
 
Vol 13, No 3-4 (2018) Investigating Sound Design in Film: A Commentary on Kock and Louven Abstract   PDF   HTML
Siu-Lan Tan
 
Vol 12, No 1-2 (2017) Jordan B. L. Smith, Elaine Chew, & Gérard Assayag (editors), Mathemusical conversations: Mathematics and computation in music performance and composition Abstract   PDF   HTML
Peter M. C. Harrison
 
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