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  3. Vol. 10 No. 4 (2015): Special Issue: Musical Rhythm Across Cultures

Vol. 10 No. 4 (2015): Special Issue: Musical Rhythm Across Cultures

Special Issue: Musical Rhythm Across Cultures
DOI: https://doi.org/10.18061/emr.v10i4
Published: 2016-01-28

Editor's Note

  • Editor's Note

    Justin London
    264
    • PDF

Articles

  • Measuring Aksak Rhythm and Synchronization in Transylvanian Village Music by Using Motion Capture

    Filippo Bonini-Baraldi, Emmanuel Bigand, Thierry Pozzo
    265-291
    • PDF
  • Timing Variations in Two Balkan Percussion Performances

    Daniel Goldberg
    305-328
    • PDF

Commentaries

  • Pattern and Variation in the Timing of Aksak Meter: Commentary on Goldberg

    Rainer Polak
    329-340
    • PDF
  • Aksak Patterns and Entrained Interaction in Transylvanian Village Music

    Martin Clayton
    292-301
    • PDF
  • More Rhythmic Interactions in Two (or Three) Aksak Performances

    Fernando Benadon
    341-349
    • PDF
  • Commentary on "Measuring Aksak Rhythm and Synchronization in Transylvanian Village Music by Using Motion Capture"

    Jerome Cler
    302-304
    • PDF

About the Journal

Empirical Musicology Review (EMR) aims to provide an international forum promoting the understanding of music in all of its facets. In particular, EMR aims to facilitate communication and debate between scholars engaged in systematic and observation-based music scholarship. Debate is promoted through publication of commentaries on research articles.

Scope

EMR publishes original research articles, commentaries, editorials, book reviews, interviews, letters, and data sets. Suitable topics include music history, performance, theory, education, and composition -- with an emphasis on systematic methods, such as hypothesis-testing, modeling, and controlled observation. Submissions pertaining to social, political, cultural and economic phenomena are welcome. Theoretical and speculative articles are welcome provided they contribute to the forming of empirically testable hypotheses, models or theories, or they provide critiques of methodology. 

History

EMR was founded by David Huron and David Butler in 2004 and began publishing in January 2006. The editorial process for EMR pioneers a new "Public Peer Review" practice that is intended to encourage scholarly dialog and reward reviewers for timely and thoughtful engagement with submissions. Previous editors include David Butler, William Forde Thompson, Peter Keller, Nicola Dibben and Renee Timmers. The current editors are Daniel Shanahan and Daniel Müllensiefen.

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Beginning with Volume 7, No 3-4 (2012), Empirical Musicology Review is published under a Creative Commons Attribution-NonCommercial license.

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ISSN: 1559-5749

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