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Issue Title
 
Vol 8, Nos 3-4 (2013): Empirical Musicology Review Tonality: The Shape of Affect Abstract   PDF   HTML
Mine Doğantan-Dack
 
Vol 11, No 1 (2016): Special Issue on Corpus Studies: No.1 Toward A Better Understanding of Perceived Complexity in Music: A Commentary on Eerola (2016) Abstract   PDF   HTML
Elizabeth Hellmuth Margulis
 
Vol 9, No 3-4 (2014): Special Issue: Music and Embodied Cognition Toward Extended Music Cognition: Commentary on Music and Cognitive Extension Abstract   PDF   HTML
Jakub Ryszard Matyja
 
Vol 10, No 1-2 (2015): Special Issue: Music and Empathy Toward Predicting Prosocial Behavior: Music Preference and Empathy Differences Between Adolescents and Adults Abstract   Untitled ()   PDF   HTML
Shannon Scott Clark, S. Giac Giacomantonio
 
Vol 11, No 1 (2016): Special Issue on Corpus Studies: No.1 Transpositions Within User-Posted YouTube Lyric Videos: A Corpus Study Abstract   PDF   HTML
Joseph Plazak
 
Vol 10, No 1-2 (2015): Special Issue: Music and Empathy Turning Our Gaze to Prosocial Media Effects: What is and isn’t Known Abstract   PDF   HTML
Sara Prot, Douglas Gentile
 
Vol 11, No 2 (2016): Special Issue on Corpus Studies: No.2 Two Corpus-Based Approaches to Rap Flow Abstract   PDF   HTML
Jacob J Gran
 
Vol 10, No 1-2 (2015): Special Issue: Music and Empathy Ubiquitous Motor Cognition in Musical Experience: Open Peer Review of Jacques Launay’s “Musical Sounds, Motor Resonance, and Detectable Agency” Abstract   PDF   HTML
Rolf Inge Godoy
 
Vol 8, Nos 3-4 (2013): Empirical Musicology Review Visual Representations of Music in Three Cultures: Commentary on Athanasopoulos and Moran Abstract   PDF   HTML
Siu-Lan Tan
 
Vol 10, No 1-2 (2015): Special Issue: Music and Empathy What Else Can Music Preferences do? A Commentary on Clark and Giacomantonio Abstract   PDF   HTML
Alexandra Lamont
 
Vol 9, No 1 (2014): Empirical Musicology Review What Makes an Instrument Sound Sad? Commentary on Huron, Anderson, and Shanahan Abstract   HTML   PDF
Jonna K. Vuoskoski
 
Vol 9, No 3-4 (2014): Special Issue: Music and Embodied Cognition Why Apply a Hierarchical Predictive Processing Framework to Music Perception and Performance? Abstract   PDF
John Michael, Thomas Wolf
 
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