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Issue Title
 
Vol 9, No 1 (2014): Empirical Musicology Review Editors' Note Abstract   HTML   PDF
Nicola Dibben, Renee Timmers
 
Vol 9, No 2 (2014) Editors' Note Abstract   PDF   HTML
Nicola Dibben, Renee Timmers
 
Vol 10, No 3 (2015) Editors' Note Abstract   PDF
Nicola Dibben
 
Vol 9, No 2 (2014) Elicited Asynchronies in Recorded Performances of Chopin’s Mazurkas Abstract   PDF
Mitchell Ohriner
 
Vol 9, No 3-4 (2014): Special Issue: Music and Embodied Cognition Embodied Cognition, Perception, and Performance in Music Abstract   PDF
Andrew Geeves, John Sutton
 
Vol 10, No 1-2 (2015): Special Issue: Music and Empathy Empathic Listening as a Transferable Skill Abstract   PDF   HTML
Anthony Gritten
 
Vol 10, No 1-2 (2015): Special Issue: Music and Empathy Empathies of Musical Performance and Understanding Abstract   PDF ()   PDF   HTML
Anton Vishio
 
Vol 10, No 1-2 (2015): Special Issue: Music and Empathy Empathy as a Tool for Embodiment Processes in Vocal Performance Abstract   PDF   HTML
Erin Heisel
 
Vol 10, No 1-2 (2015): Special Issue: Music and Empathy Empathy in Piano Duet Rehearsal and Performance Abstract   PDF   HTML
Elizabeth Haddon, Mark Hutchinson
 
Vol 10, No 1-2 (2015): Special Issue: Music and Empathy Empathy in Piano Duet Rehearsal and Performance: A Response to Haddon and Hutchinson Abstract   PDF   HTML
Fred Seddon
 
Vol 8, Nos 3-4 (2013): Empirical Musicology Review Empirical Aesthetics, Computational Cognitive Modeling, and Experimental Phenomenology: Methodological remarks on “Shaping and Co-Shaping Forms of Vitality in Music: Beyond Cognitivist and Emotivist Approaches to Musical Expressiveness” by Jin Hyun Kim Abstract   PDF   HTML
Uwe Seifert
 
Vol 9, No 2 (2014) Empirically Assessing Rhythmic Entrainment: A Re-analysis of Ohriner’s “Listener-Performance Synchronicity in Recorded Performances of Chopin’s Mazurkas” Abstract   PDF   HTML
Werner Goebl
 
Vol 11, No 1 (2016): Special Issue on Corpus Studies: No.1 Expectancy-Violation and Information-Theoretic Models of Melodic Complexity Abstract   PDF   HTML
Tuomas Eerola
 
Vol 9, No 2 (2014) Expectations Evoked on Hearing a Piece of Music for the First Time: Evidence from a Musical Savant Abstract   PDF
Ruth Grundy, Adam Ockelford
 
Vol 12, No 1-2 (2017) Expressive Tempo Modifications in Adelina Patti's Recordings: An Integrated Approach Abstract   PDF   HTML
Massimo Zicari
 
Vol 9, No 2 (2014) Expressive Timing, Musical Tension, and Listener-Performer Synchronicity: Commentary on Ohriner Abstract   PDF   HTML
Bruno Gingras
 
Vol 8, No 1 (2013): Empirical Musicology Review Expressivity and Musical Shape in Turntablism: Response to Greasley and Prior Abstract   PDF   HTML
Kjetil Falkenberg Hansen
 
Vol 10, No 1-2 (2015): Special Issue: Music and Empathy Extension, Variability, and Normativity: Deniz Peters on Musical Experience Abstract   PDF   HTML
Philip Alperson
 
Vol 10, No 1-2 (2015): Special Issue: Music and Empathy Feeling the Emotions of Acted Characters: Commentary on Heisel Abstract   PDF   HTML
Thalia R Goldstein
 
Vol 9, No 1 (2014): Empirical Musicology Review From Speech to Song: A Response to Johnson, Huron and Collister on the Interaction of Music and Lyrics Abstract   HTML   PDF
Edward Wickham
 
Vol 8, No 1 (2013): Empirical Musicology Review Gesture and the Sonic Event in Karnatak Music Abstract   PDF   HTML
Lara Pearson
 
Vol 9, No 2 (2014) Heroes and Villains: The Relationship between Pitch Tessitura and Sociability of Operatic Characters Abstract   PDF   HTML
Daniel Shanahan, David Huron
 
Vol 10, No 1-2 (2015): Special Issue: Music and Empathy How Down is a Downbeat? Feeling Meter and Gravity in Music and Dance Abstract   PDF   HTML
Jonathan Still
 
Vol 11, No 2 (2016): Special Issue on Corpus Studies: No.2 How Near Will You Hear? A Response to Benadon, "Near-unisons in Afro-Cuban Ensemble Drumming" Abstract   PDF   HTML
Peter Martens
 
Vol 10, No 1-2 (2015): Special Issue: Music and Empathy How, Rather Than What Type of, Music Increases Empathy Abstract   PDF   HTML
Tal-Chen Rabinowitch
 
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